I can still remember where I was when I read my first Icelandic saga. It was Njal's Saga, in translation, and I was at my aunt's house for Thanksgiving during my second year in college in 1978. I was sitting on the staircase, hiding from my family so that I could continue reading this book that had enthralled me. I went on to learn Old Norse and I started visiting Iceland at least every other year beginning in 1986.
For 20 years, however, I made my living as a science writer for a magazine published by Penn State University. I used to say I led a double life-science by day, sagas by night. One day in 2002 I was sitting at my desk at the university when a professor called. He was among a team of archaeologists who had discovered a Viking Age longhouse on a farm in northern Iceland.
I asked, "Which farm?"
"Glaumbaer," he said.
I was probably the only science writer in America who would reply, "You mean the farm of Gudrid the Far-Traveler?"
That was the genesis of my first book about Gudrid, a nonfiction book called The Far Traveler: Voyages of a Viking Woman, published in 2007. (You can read the article I wrote about the Penn State professor's work here.)
To do so, I had to study in depth the two sagas that mention Gudrid, The Saga of the Greenlanders and The Saga of Eirik the Red, collectively known as the Vinland Sagas. These two sagas had never been my favorites.
Once I mentored a Penn State student for an independent study project on the sagas. He compared Gudrid to the women in several other sagas, and wrote: "Gudrid has one great shortcoming-she's rather bland. ... Many of the other sagas tell us enough about the characters that you get a good feel of how people lived their lives-and they are often interesting lives. Gudrid has none of these particularly intimate displays of her dealings with others-it's just assumed that she's smart and well-behaved. Being smart and well-behaved probably spells out being boring."
The more I studied the Vinland Sagas, however, the more I realized that Gudrid wasn't bland or boring--and probably not even well-behaved. These two sagas were simply written in such a way that Gudrid's story was hidden. That intrigued me.
One of the more frustrating things about these two sagas is that they contradict each other. In one saga she has two husbands, in the other she has three. In one saga she is rich when she arrives in Greenland, in the other she is poor. It was impossible, when writing nonfiction, to create a coherent narrative about her.
Also frustrating are the hints. According to one saga, Gudrid "knew how to get along with strangers." Later, that saga shows Gudrid in the New World, failing to communicate with a native woman. The implication is clear: If she couldn't get along with these strangers, no one could. Perhaps Gudrid decided the Vikings should abandon their colony.
Perhaps the Vinland expedition itself was her idea. She packed up and set sail there twice-with two different husbands. Although the sagas disagree on the particulars, her hand in the preparations each time is clear.
Writing nonfiction, I could only say "perhaps, perhaps." When The Far Traveler came out in 2007, I was very happy with it, but I didn't think it was finished. I immediately began thinking about writing a novel so I could bring Gudrid's story to life or, as one of my writer friends put it, "make it real."
Researching and writing my nonfiction book The Far Traveler took me, off and on, five years. Writing The Saga of Gudrid the Far-Traveler, my just-published historical novel, took me another eight years--even though all of my research was essentially done.
The biggest problem for me was genre: Who was I writing for?
So I decided to learn how to write young adult fiction. One day I was talking to Andy Boyles, the science editor at Highlights for Children, who had bought a few of my nonfiction pieces, and he told me about a writer's conference at which Donna Jo would be a mentor. With the help of a scholarship from the Highlights Foundation and a Career Grant from the National Association of Science Writers, I signed up. I had three sessions with Donna Jo in which she helped me to structure the novel. She also gave me an invaluable gift: a deadline. If I finished a draft of the novel by a certain date, she would read it; if she liked it, she would send it to her agent.
I met Donna Jo's deadline. She liked the novel, but her agent did not. So the next year, I signed up for another workshop through the Highlights Foundation, this one with the editor who eventually published the novel, Stephen Roxburgh of Namelos. For one intense week, Stephen went over with me everything I needed to improve to make the novel publishable, and over the next year he checked in with me about once a month to see if I was making progress. He even came to my house for a visit.
Without these wonderful mentors The Saga of Gudrid the Far-Traveler would still be in my closet where, I'm afraid, lie several other unfinished novel manuscripts. While making Gudrid's story come to life has been very satisfying, I find it is much easier to write nonfiction and simply say "perhaps."
The Saga of Gudrid the Far-Traveler has been chosen as the 2015 INL Reads! selection of the Icelandic National League. Thanks to Rob Olason of the Icelandic National League, whose questions prompted these recollections.